Showing posts with label boarding school. Show all posts
Showing posts with label boarding school. Show all posts

Thursday, August 21, 2008

The pied piper of ghosts

A quiet little miracle happened on the 5th of august. No one saw it.

The meeting in Blantyre finishes early. I phone the driver to collect me, but a solemn voice in the phone says 'your credit is low. please load talk time.' So I walk up the road to find talk time. This road, so familiar, so embedded in my cellular memory. At first, I'm walking towards the petrol station on Chileka road. The one opposite Brereton drive, which leads towards my old school. But I find a lady selling talk time at the side of the road. We exchange greetings, then names, then stories, as one does in Malawi, with complete strangers. I have talk time now. I should phone the driver to fetch me, meet with the photographer, plan our next move. Have coffee. But some spirit has taken over my legs. My legs are remembering being 16 years old, fuelled by a saturday morning trip to town, returning to the hostel.

Now-self, responsible and anxious about the workload: Er, excuse me where are you going, we have work to do.
Other self, urgent and striding. Shhh. This is important. I have something important to do. We have time. Its at least 3 hours til your next meeting. No-one will miss you.
Now-self: yes but
That self: Shhh. Just let me do this.
Now-self: Can't you just let it be? It won't be the same. Just let the memories be memories. Don't -
Shaddup, says the other me. Just shhush.
Noisy head sushes. Looks at my feet. My dusty black shoes that look like school shoes. How many times did we walk this, me and my girls, long legs, short legs, lazy legs, slow with the heat of the tarmac, pregant with ambition, all of us. The dried brown stumps of grass clinging to the grey dust. The old red brick of the Blantyre mission to the left. The battered black sign with white writing, probably been there since the 70's. Its a curious kind of meditation now, and I let myself be there, taking it all in. The tyre repair man on the side of the road with the sign saying 'Plumbing. Funsa pano'. I am here. But I am also there. 18 years ago when I last walked this stretch of road. I know the petrol station that will appear on top of the rise is not an Oilcom anymore its a Petroda. But the majestic old Anglican cathedral where we used to take the shortcut, past the cemetery filled with long dead Scots, is still the same.

Ego-head is complaining again - 'this is silly. its indulgent.' Shush. My legs are powered by something else, following the well worn grooves in the dust. I have to do this. What? What is it you have to do? I have to go and get something. Retrieve. Someone.

The sign is the same flat smug blue it ever was, except now it says Saint Andrews International School, instead of Secondary School. Too late now. You can't turn back now theres the old staff houses didn't I spend a night there with some family after it happened? Images are downloading slowly, foggily, but theres a welling up of something very ancient and familiar in my chest, my blood. Its dread.

The gates smack me with that dry throat feeling. I'm not going to go in. Just peer in from the outside, thats all. That's enough. I tell the guard - I'm just - goiung to look. Sure. He doesn't care. I go in. There's the library, the history block. New labels - modern languages. Aint that fancy. Aah, the parking lot, where I first arrived with nervous family in the rattly old short wheel based landcruiser, all awkward in my blue checks at 12 years old, terror nesting in my belly where my parents can't see it. I'm going to walk boldly towards the main entrance like I did the day I came back to write my A-levels, defiant and with something to prove. But I see someone walking down from the boys hostel and I panic, take a short right down, past the maths block, ducking down the stairs to the field.

Empty field. The school is deserted, of course, it's holidays. But my ears are full of clamour and I see little scrawny legs in yellow tshirts doing the hurdles, the faded limewashed stripes powdery on the dried winter grass. I hear war cries. I see me and Foy, sitting on a concrete bench, sharing gossip and advice and tender friendship. My heart is literally thudding in my ears. I take a deep breath and talk to her - 'its ok. its ok, i'm here. you will never need to be an athlete. you will never need to play good tennis. it will be fine. i know its horrible now, its humiliating. they tease you. you're crap at hockey. but it really doesn't matter.
I could swear she's listening. That terrified 13 yr old who 'had her period' 3 out of 4 weeks a month, just to get out of swimming.

Suddenly I am calm. I realise just how deserted the grounds are, and that's ok, this is right. This is what I came to do.

I'm walking next to her. It's the strangest sensation. I'm comforting her. Not the ghost of her, the actual her. I've called her back to me. The girl who used to hide at the bottom of the guava trees by the cross country course. She who had to stay behind and prove something. That she was a good girl.

Times slides into itself, turns inside out.
For a brief glimpse,
for a long stretch,

I am her.
I feel it in the itchy awkwardness of my growing dangly arms. In the tight terror in my chest, the what will they think of me sweaty palms. But as I walk, past the changing room steps and the tennis courts towards the scout hut, I am suddenly comforted. I am dimly aware of a presence at my right shoulder. An older, wiser, calmer presence. Like a big sister or an angel, whispering to me that it will be ok, reminding me that i have a bigger, longer life than all of this.



The swimming pool, where battles were lost and won, where hearts blossomed with pride, and one very cheeky night we went skinny dipping with boys.

Spooled out, split off, merged, we are side by side. Its real magic. Not Harry Potter.

Past the 6th form common room, to the bottom field, where I would take solace by the white limbed bluegums. They are taller, more solid, but they speak the same whispering clacketty language. I see her lying on her back, listening to Bruce Springsteen on her yellow walkman. That year, when all the tuckshop gang friends had flown the happy crowd and gone to other schools, other lives.

Backtrack, back past the pool where Tom knocked out his tooth and won the Victor Lodorum for swimming and I realised too late I wanted to still be his girl. Back up the steps, and now the real confrontation. The hostels. I peer into the dining room, site of grey meals and jostline hungry boys. Gulp,over the threshold, past the surgery where you got the sick note for sports. Through the common room, the phone that brought crackly moments of home. Vipya dorm, Zomba dorm.

The lockers, where I got the news, late at night. "They've done a spot check, they found your bed empty, you have to go and see Mr Garbett NOW."
First Offence, the time the gate padlock was left open and we leapt out of the room in the boys hostel where we were doing homework (Serious! We were doing homework. Ok, so we had gin as well, but we were, we were sharing books...)











What fun to discover that Nina's room key at home could open the front door of the hostel. Key MC9 or some such secret number of freedom.


The hostel is too much for me. My throat closes with oppression, with the sticky smell of 200 girls living in close confinement, the fights, the bitchiness. I am heading towards my old room, but I hear someone around the corner and I turn to go. I don't want to see anyone. I am a ghost, operating through the folds of time, I can't converse. I don't go to the bottom dorm, the first dorm, where I wet my bed and spent nights trying to turn the sheets around so that they wouldn't be spotted inmorning inspection. Or the flat next door, where the Second Offence took place. Where Tom and I sat up til dawn, resolving our old hurts before he took off for Holland the next day, Expelled.

Aaah, they were picking us off one by one by then.

But I do go to the Art Block. Scene of the Third and Final Offence. Where I was courier of a small half jack of brandy, purchased by someone in the Art class the day of the Zomba field trip. Handed over to one of the Tuckshop Gang, discreetly, but not discreetly enough. I peer in.

Ghost in the window.







I stand very still and call them back to me. The fragments of old me, torn off and floating round the corridors. I am the Pied Piper to my ghost selves. They have flocked around me and are following me now, out the gates, down the road, towards the rest of my life.




Postscript - please don't misconstrue - reading this post may give you the impression that I was permanently sad, lost and abandoned at school. Not true. We had wild joyful times. We had keys, we had accomplices, we had volumes of fun. I had to leave suddenly, prematurely, and so this little bit of soul retrieval was entirely necessary. I am so very glad I went to this crazy, co-ed, multinational, rollicking school of mischief, and that of all the friendships I formed there, some are still alive, some are dormant, some recently reawakened.

Friday, July 25, 2008

the roar of blood in the head

I should have enjoyed it while i could. The silence in the skull. Soon after that post it developed into a chatter and then a steady clamour and hasn't really quieted down since.

Many reasons:
The Malawi trip.
I leave on Sunday for 21 days in Malawi, traveling around with the UN to write about their work there. My mind is clattering with the falling clutter of old images. Like when you take a long neglected box from a top shelf and all the shit up there comes down with it and lands on your head. I unconsciously packed my bag full of skirts! Why because when I was at school in the late '80's in Blantyre, it was the tail end of the reign of Kamuzu Hastings Banda and girls had to wear skirts below the knee, no trousers and be pictures of modesty and decorum. Which of course we were - gin swigging, Life cigarette smoking bright young things.

I haven't spent much time in Malawi since the days of my blue skirt and a head full of learning. There was a research trip in 1998, when I was doing my Masters. And a Lake House trip in 2000. I'm swarming with pictures unburying themselves. Even Facebook doesn't haul out this much old garbage.
The walk from school to town on a dusty Saturday morning. The shortcut, past the Anglican church and the graveyard full of longdead mzungus. Picking green guavas from the trees along the way.
Dreary weekends in Lilongwe after I had been kicked out of school. Walking to the American library and sucking up hours worth of reading on the Russian Revolution.
Always walking. Always dusty shoes and being offered lifts by dodgy men.
The inexhaustable hospitality of my extended foster family, the Osmans (another post another time) and samoosas with green tomato chutney.

The Fight
I'm sure it's the same in all relationships. There's one Big Issue that strikes like tinder, triggering old hurts for both of you. Some primal wound that you have that he or she has the opposite of, and they spoon together like razor wire. Playwrights understand this. How we all have one or two fundamental needs, and we're not necessarily attracted to the someone who can fulfil the need as we want it to be filled (I believe we can only really do this ourselves) but someone who will help you to heal the wound. And sometimes the bone has to be rebroken to be set again.

You know - you crave approval, s/he doesn't give it to you in the exact form you require.
All you want is belonging - the group, being a part of it. All s/he wants is solitude, individuality.

With us, the Fight is always about Going Away - childhood abandonment injuries dovetail neatly with the Sagittarian flight response. Ooh, its a pretty festival of love and leaving I tell you. Reminds me of that song "Everytime you go away, you take a piece of me[at] with you". But this time I think we've cracked it. This time i think I get what its about for me and interestingly its all to do with boarding school - the weirdness of Leaving vs Being Left and how going away to school is both, and how a child doesn't get that and knots it all up in her head - who is really doing the leaving here? And why do we fight with the people we love at airports? So perhaps this trip to Malawi represents more than just a nicely paid gig. Perhaps an old dragon can be put to rest. Perhaps I'll do it in trousers. Damn. I gave my chitenge away in the refugee bundles.

The Party
Before I go, dear friend Dion is leaving for Nwarlins to take up a teaching post at Tulane. I am so happy for him but as more and more of my friends leave for distant parts of the globe I feel like the Prestik Girl - pieces of me are being pulled and stretched and warped. One string stretching all the way to Sweden, another wrapped around Arusha, a long arm with globule attached to the tiny island of Lamu. A couple of tentacles lashed to London.
So we're throwing him a party tonight. Cajun blackened chicken and gumbo and hurricanes. There might just be some hefty drinking.

The Play
Its almost finished. And the closer I get to saving it as Final Draft, the louder the voices get. "Oh come on, you're not ending it like that are you". "I don't think he Would Do That". "Is that character really well rounded enough?" "Isn't it too wordy"
etc etc etc.
And then last night I went to see Ten Bush, at the Market theatre. Witchcraft, ancestral curses, beautiful staging a la theatre de complicite. I was totally drawn in, and it made me shiver. It also just confirmed for me some of the choices I've made (I also dip into worlds of dreams, curses, deadpeople still alive, events that repeat themselves, strange things that spring from strange wombs). It reminded me why I'm drawn to the ritual aspects of theatre. That extraordinary ability that a certain kind of theatre has, to transmute reality. All the trans words, actually. Transform, transubstantiate, translate, transfigure, transgress, transpire and entrance.

Well done to Mncendisi Shabangu and Craig Higginson. This has helped to negotiate with the roar in my head. Now onto the serious business of how to make a hurricane. This is also an important magical ritual you understand - we have to protect D from the very real threat of future Katrinas, Ivans and whatever they will call the ones to come - George, maybe. Or Laura.